Stuff, up to which I have been
Apr. 14th, 2009 12:33 pmPublic Domain Curator at Anthology Builder
Okay, Nancy Fulda announced this yesterday, so I will share it here now, too: I'm the new (and first) Public Domain Curator for Anthology Builder.
I've loved Anthology Builder since the moment I first heard of the concept, and have been happily shuttling my stories over there in exchange for the glee of building custom anthologies (and, of course, for my share of the 10%(ish) author royalties that get split amongst each anthology's authors).
I'll be selecting public domain works to include on the site, and building anthologies, and generally having a good old time over there. And if there's an older story you've been hoping to find on the site, do let me know--I suspect Nancy will build me a suggestion form some day, but until then, I still have email and whatnot.
Have I finally found a hobby?
On a more mundane plane, I got my birthday present from my husband last night, which is a pretty sweet little photo scanner that also does negative and slide scanning. So, all my pre-digital photographic adventures will be coming to a Flickr account near you... slowly, of course. I scanned three strips o' negative last night, and only uploaded three pictures of Poitiers. I'm... pondering color correction and things like that. From a less useful angle, I'm also pondering the interesting textures from film that seem missing from digital--am I crazy? Am I sane? Who knows. And finally, I'm pondering the awesomeness that will be the uploading of all my college photography efforts. Oh, my secret artsyfartsyness, you will soon be revealed to all.
The question after THAT, of course, is... what if I did make my own dark room and develop my own negatives again? I could (theoretically) avoid the expenses of paper and enlargers by skipping that and just developing film to scan, and thus live in some crazy hybrid film/digital world. I'm not sure what the value would be, but I do keep saying that I need a hobby. This would actually be less expensive than replacing my film SLRs with digital, and I could explore that texture stuff I've been pondering. And plus... Ansel Adams wrote a whole damn book about negatives. There's something there. ;)
Novel rewrite
I'm having some very circular thoughts. There is a tiny but important piece of story logic that is missing from my novel, and my agent has offered suggestions--good ones--to nudge me into the right direction, and she's certainly right that I need to address it, but my brain is just running full-tilt around the mulberry bush and never finding the damn weasel.
If this were my dayjob, I'd send Outlook invites to a meeting and make people brainstorm with me on large pieces of paper.
Are writers allowed to do that?
Actually, I sort of think I need to ask
iuliamentis and
vidensadastra to read the book and then get them very drunk and see what comes out of them. Unfortunately, they're not coming to Penguicon. Hrm. I may be jaunting off to Chicago sooner than I thought... Of course, the workshop is coming fast, and maybe I can pick the workshoppers' brains hard while I'm there.
The rest of the rewrite, I can handle easily. Most of it is very minor stuff that I have figured out how to solve with a sentence dropped in here, a paragraph there. There is one largeish (10,000 words) section that needs a thorough rewrite, pretty much ground up. But not bad, overall.
Agent hunt
I'm supposed to be done with agent hunting, right? And I technically am. Except that, while my first three queries yielded me an offer of representation--they also yielded two rejections. And hey, my response to my first rejection was to send out six more queries! And I've since gotten two rejections, and two requests for partials. And one of the partial requests came in the snail, and I have to snail back my regrets letter. And who knows what the last two responses will be? Anyway. I'm not done, in other words.
When I am fully, finally done--is there anyone out there agent-hunting (or about to be) who would find it useful for me to perform a post-mortem on the hunt? Or is that just... annoying?
Being Erica
Am I the only person watching this show? I really love it. I know it's already aired in Canada, and it's being aired on the semi-obscure Soap Network in the US, but for serious, it's a good show, it passes the Bechdel test all over the place, and to me, it reads like an excellent take down of chick lit. You have a quirky heroine who actually accepts that her choices have led her to where she is, and instead of Bridget Jonesing her way through life, tries to come to terms with her past, owns and apologizes for her mistakes, and otherwise recognizes that one's 30s are actually a pretty good time to grow the hell up. (Not that I don't love Bridget Jones; I'm just very weary of all that has come after it. Bigly weary.) Plus, there's a time travel component. Which is always going to sell me.
So. Yes? Am I the only one watching?
Okay, Nancy Fulda announced this yesterday, so I will share it here now, too: I'm the new (and first) Public Domain Curator for Anthology Builder.
I've loved Anthology Builder since the moment I first heard of the concept, and have been happily shuttling my stories over there in exchange for the glee of building custom anthologies (and, of course, for my share of the 10%(ish) author royalties that get split amongst each anthology's authors).
I'll be selecting public domain works to include on the site, and building anthologies, and generally having a good old time over there. And if there's an older story you've been hoping to find on the site, do let me know--I suspect Nancy will build me a suggestion form some day, but until then, I still have email and whatnot.
Have I finally found a hobby?
On a more mundane plane, I got my birthday present from my husband last night, which is a pretty sweet little photo scanner that also does negative and slide scanning. So, all my pre-digital photographic adventures will be coming to a Flickr account near you... slowly, of course. I scanned three strips o' negative last night, and only uploaded three pictures of Poitiers. I'm... pondering color correction and things like that. From a less useful angle, I'm also pondering the interesting textures from film that seem missing from digital--am I crazy? Am I sane? Who knows. And finally, I'm pondering the awesomeness that will be the uploading of all my college photography efforts. Oh, my secret artsyfartsyness, you will soon be revealed to all.
The question after THAT, of course, is... what if I did make my own dark room and develop my own negatives again? I could (theoretically) avoid the expenses of paper and enlargers by skipping that and just developing film to scan, and thus live in some crazy hybrid film/digital world. I'm not sure what the value would be, but I do keep saying that I need a hobby. This would actually be less expensive than replacing my film SLRs with digital, and I could explore that texture stuff I've been pondering. And plus... Ansel Adams wrote a whole damn book about negatives. There's something there. ;)
Novel rewrite
I'm having some very circular thoughts. There is a tiny but important piece of story logic that is missing from my novel, and my agent has offered suggestions--good ones--to nudge me into the right direction, and she's certainly right that I need to address it, but my brain is just running full-tilt around the mulberry bush and never finding the damn weasel.
If this were my dayjob, I'd send Outlook invites to a meeting and make people brainstorm with me on large pieces of paper.
Are writers allowed to do that?
Actually, I sort of think I need to ask
The rest of the rewrite, I can handle easily. Most of it is very minor stuff that I have figured out how to solve with a sentence dropped in here, a paragraph there. There is one largeish (10,000 words) section that needs a thorough rewrite, pretty much ground up. But not bad, overall.
Agent hunt
I'm supposed to be done with agent hunting, right? And I technically am. Except that, while my first three queries yielded me an offer of representation--they also yielded two rejections. And hey, my response to my first rejection was to send out six more queries! And I've since gotten two rejections, and two requests for partials. And one of the partial requests came in the snail, and I have to snail back my regrets letter. And who knows what the last two responses will be? Anyway. I'm not done, in other words.
When I am fully, finally done--is there anyone out there agent-hunting (or about to be) who would find it useful for me to perform a post-mortem on the hunt? Or is that just... annoying?
Being Erica
Am I the only person watching this show? I really love it. I know it's already aired in Canada, and it's being aired on the semi-obscure Soap Network in the US, but for serious, it's a good show, it passes the Bechdel test all over the place, and to me, it reads like an excellent take down of chick lit. You have a quirky heroine who actually accepts that her choices have led her to where she is, and instead of Bridget Jonesing her way through life, tries to come to terms with her past, owns and apologizes for her mistakes, and otherwise recognizes that one's 30s are actually a pretty good time to grow the hell up. (Not that I don't love Bridget Jones; I'm just very weary of all that has come after it. Bigly weary.) Plus, there's a time travel component. Which is always going to sell me.
So. Yes? Am I the only one watching?
Re: helpful vs. annoying
Date: 2009-04-14 08:19 pm (UTC)Except for the very few people I know who had their books handed to an agent--it was all a matter of querying at the right time.
Luck plays almost as much a part in this business as skill and talent. I bless my luck every single day I hit an agent that thought I was worth taking on right at the time she was actively hunting for new clients. That was pure luck, nothing more.
Which might be the one thing I learned in my whole query process. Some people have the luck to have their work handed to an agent. Some people luck onto the perfect agent with only a few queries. Some of us work our asses off on this for years before luck finds us.
I didn't learn any secrets to tell other people. If there is a secret that would make this easier? No one told me either.
Re: helpful vs. annoying
Date: 2009-04-14 08:36 pm (UTC)I suspect we believe the same things about the process in the end; but the difference is that my need to know how the process went for other people was so high that I was disappointed by the lack of specific info out there, and I assume that there must be at least one other person like me who just wants to know--anything, everything.
Anyway. I don't mean to be annoying you. I'll drop this.
Re: helpful vs. annoying
Date: 2009-04-14 09:12 pm (UTC)I often felt and still feel that I'm too open about all the process I've gone through. I have blogged so much about agents and disappointments and the whole publishing journey right from the start. It is a journey and it is like running a gauntlet. It can be very punishing, even if you follow all the rules.
I have gotten a lot of disapproval over how open I've been as well. I talked about it anyway. That blog post I made about publisher's rejections? Totally against the unspoken rules. People don't have to get right in your face and say 'That was unprofessional' to get their point across. But I think it's exactly the kind of thing that should be shared so the next person doesn't get kicked in the face when it's their turn.
I also help anyone who asks with query letters, synopsis and lists of agents. It's not secrets, but it's the best I've got and more than I got from the majority of people who went ahead of me.
So you know, forget everything I said. I was wrong and I should know better. Post any damn thing you think is helpful and shouldn't be a secret. Talk about the things you wish you'd known ahead of time.
I'm going to go sit in the corner, finish critting this novel and ponder why I made that comment in the first place.
Re: helpful vs. annoying
Date: 2009-04-14 11:13 pm (UTC)PS Not offended. Worried I offended you.